Chris and Rose are a young couple heading to the countryside to spend a weekend with Rose’s parents. Along the way, their car is struck by a deer and creating an awkward encounter with the local police. After getting to the house, Rose’s father appears open and a little too comfortable with Chris’s race. Rose’s family clearly lives a life of leisure, but it strikes him that the groundskeeper and the housekeeper are both black. He also gets surprised by the planned garden party the day after their arrival and starts to notice something significantly wrong with his situation.
Definitely Not Post-Racial: Starting in the first scene at the apartment, there was a sense that the mixed race relationship was going to be a theme of the film. Though it was a brief setup, the scene with the officer dove just a bit deeper into the conversation. While Chris chose to not pick a fight and just follow orders, Rose took it upon herself to push the officer near a breaking point. They both got to walk away with a warning about fixing the headlight, but the result could have been different if he had spoken up. This theme continued when they got to the house with the appropriation of black culture and questioning of Chris’s natural qualities.
More of a Thriller than a Horror Film: While this can easily be classified as a horror movie, there was more mystery and suspense rather than gore and jump scares. The care staff had creepy elements to them and there were a few moments with strategic sound effects or eerie music, but I spent more time trying to figure out what the twist about the Armitage family actually was and why the flash from a camera would cause a person to break like Andrew King.
Surprising Acting and Storytelling: While there is a tendency for horror films to be either one-dimensional or focused specifically on the twist, this one dabbled in discussions of race and privilege while blending those themes into the more classic horror/thriller elements. The lighting kept things dark and ominous at times, but Chris broke most horror tropes reserved for black characters and found a way to see through the smoke and mirrors and fight back at the right moments.
Final Verdict: Get Out is one of the best horror films in years. It has a small bit of the comedy from other films like The Cabin in the Woods with some much more depth and intensity than the rest of the crowd. Plus, Rod the TSA stole every scene he was in.
Dan’s Rating: 4.5/5